The Leni-Kiko Campaign (My Story)

Phto credit to Obet De Castro

In the past I never campaign for any president. I am not apolitcal, in fact I am very political. It’s just that I felt there was no presidential candidate before that was capable of actually fulfilling the changes in our society that we hoped for. But I did voted in the past. Just choose who was the lesser evil. But I did not actively campaigned.

In the past few administation, you may have seen me actively participating in various think tanks organized by both the governement and NGOs. I was invited to be heared several times in congress. There is this misconception that being activist means “lagi kang kontra sa gobyerno.” That is because most people see activists when they are protesting a certain bill. The people don’t see that the activists are also actively working, lobbying, proposing and organizing. And most of the fruits of these hard earned labor, we are enjoying now.

During Pnoy’s administration, you may have seen me take a stand on a bill being pushed in congress about musicians. I was there generally not to make “kontra”. I was there to make sure that the bill would be an effective one, that would benefit everyone not jsut a few. If you have seen the picture of me in the office of Cong. Teddy Baguilat, I was with the group to talk to him. So that he could consider the plight of the grassroot musicians in the house bill he authored about musicians.

Fast forward today, in this electoral process, I took a stand to support and campaign for Leni Robredo and Kiko Pangilinan. The reasons I have already stated on a blog I wrote before. What I want to share to you is how I campaigned for Leni-Kiko.

I was facinated on how the campaign of Leni-Kiko team was conducted. The big rallies, house to house, etc. I was thinking on how can I actively do my part. I asked for a few campaign materials but then realized I can only distribute a few to my friends. I wanted to do something where I am most effective.

In the middle of the campaign period, a group from the catholic church came to ask for my help as they are organizing a Leni-Kiko campaign rally. Luckily I was prepared. I drafted an outline on what to do from preparation to actual. Listed positions to hire from stage managers, performers, techincal people, security, medical team to food committee. The organization that talked to me was from the Archdioses of Manila.

And so I scrambled to coordinate with every organization that I feel could help. From the Robredo People’s Council HQ and Manila, to church organizations from the progressive movement and cultural groups. The ideal venue to hold the rally was in UST, but they later realized this was a violation of the school’s policies. And so they targetted for Luneta, at the “kalabaw”. I suggested to set up a mobile stage using flatbed trucks. Sanay tayo dyan. But they felt a more permanent stage would be more appropriate as the VP will be speaking in the program. The project became on hold as the organizers became busy with the holy week.

Finally the organizers decided on a date and venue. May 1, labor day. Along with labor groups, the church plans to hold a whole day affair at the Katigbak Parkway in the Luneta grounds. This is the area near Manila Hotel. A stage will be set up and a mass will be held at 7am concelebrated by several bishops. VP Leni and Kiko along with her senatorial slate will hold their program in the morning as they have an engagement in cavite in the afternoon. The organizers wanted to continue the program until evening. So I started to call up volunteers and draw up a plan.

In the morning, during the mass, we will try to invite some music minitries to grace the mass. After the mass, church choirs and cultural groups may perform in between programs. The archdioses will run its own program where in the bishops will speak. Then VP Leni and Kiko along with her senatorial slate will run their program. After this, the stage will be set for various performers. I started gathering volunteer musicians to perform, from acoustic singer/songwriters, performance artists, visual artist/performer, duet, trio, and bands.

The organizers wanted it to have a fiesta athmosphere. It was labor day and they wanted to celebrate the St. Joseph, the worker. Lunch can be served through volunteers from various parokya. The proposal was to set up booths around the area where there can be exhibits showcasing issues of various sectors from the farmers, community, women, worker’s health, etc. In the afternoon, while performers were doing their thing on stage, teach-ins will be held on the ground where ordinary people will be enlighten with the various issues that has to be addressed by the next government. This will deepen their commitment, not only to vote for Leni-Kiko but to be an active participant in the society, as good governance relies on the participation of the people. This was to make sure that basic issues of various sectors in the society will be addressed and acted on when good government is in place. This will also defend and safeguard the gains of the people’s struggle for good governance. The whole afternoon is ideal for these teach-ins as these is not posible by simple house to house only. Discussion has to be more indepth. And to ensure their interest on the subject, it has to be relevant to the sector the participant belongs to. And in the evening, a celebration with performance of bands will be held. The whole day event would be like a festival.

I was already excited with the plan, and started working on it. Unfortunately the sad news came. The city of manila denied the application for use of the Luneta grounds. According to them, there is a scheduled event on the same day on the same venue. Although an insider informed us that we were infact the first to apply for the use of the venue. It was however strange that the permit was granted to a different activity. Politically motivated? You be the judge.

So, the organizers were looking for an alternative venue. They were eyeing for Liwasan Bonifacio or Tomas Morato between Lopez drive and the Boy Scout monument in quezon city. I started to get disappointed as I feel a lot on the planned program will be lost if we have to adjust to the new venue. Eventually I lost hope, and did not push for the whole day event. I checked on the workers’ organizations what their plans are so as to see if the idea of the whole day activity is still posible but they were just waiting for the call from the church groups who are organizing the event. Until two days before labor day, it was final, the event would be a morning affair only. It will start with a gathering in Edsa-Aurora of organized workers where they will be met by farmers who will march from ateneo along aurora blvd. A mass and the program will be held on Araneta Colesium, a first for a labor day rally. VP Leni-Kiko will speak. The workers will hold their pledge of support to the workers cause and the candidacy of VP Leni and Sen Kiko. I gave up on the idea of my original proposal.

The organizers floated the idea that my set of artists can probably perform on the miting de avance which was then proposed to be held along commonwealth ave on May 7. There could be multiple stage as the audience is expected to be massive and those far from the main stage can get an entertainement of their own. They proposed to provide a stage of our own and I agreed, toying the idea of having progressive minded artists perform in this stage, to contrast with the showbiz type performances in the main stage. I wanted the people to realize that there are performers like these, that they can learn from and emote with and not just simply get entertained.

A few days on, and the final venue for the miting de avance will be in makati. There will be a main stage and plenty of led walls which means only the program in the main stage will take effect. Still the church and other organizations managed to create their own programs in the afternoon before and after the shows in the main stage but I was not part of it anymore. These were initiatives of their own organizations. There was a prayer/concert in a nearby church, a flores de mayo event, and other similar activities. But in my opinion, these events were participated by their own people, and the call to reach out to the masses was missing.

I lost that rare opportunity to really make an event that I think will be more effective, participatory and contineous. Hindi dahil uso lang. The people are there already. All they need is guidance on were to go after this. We, who are in the know should show them how they can actively participate in the society. So that all these efforts of ours in bringing people to rallies will become fruitful. Where we can sustain that spirit of people power.

Maybe it is not yet the time. Or maybe it is not the right way. There may be other ways. To go back to our own sector, to our own communities, to our own organizations and work from there. It will be a harder longer struggle but we can definitely reach our goals. If good governance win, it will be easier but still a struggle. If we lose, it will be a harder struggle. But we will not stop.

Bakit Si Leni-Kiko?

May nabasa ako isang post na sabi, “Bakit mo pinupursigi yan manok mo sa eleksyon. After ng eleksyon di ka naman nyan kilala. Babalik lang ang buhay natin sa dati.”

Well, eto ang mga sagot ko.

Sa gobyernong tapat, mayroon boses ang organisadong mamamayan, kung saan mapapakinggan ang mga hinaing ng sektor at magiging participatory pa tayo sa pagsulong ng isang maayos na sistema sa kinabibilangan nating industriya. Hindi katulad ng sa iba na ang patakaran sa iyong industriya ay batay sa ideya na naisip ng mga nakaupo, ni hindi nga niresearch kung eto nga ba ang kailangan ng inyong sektor.

Sa gobyernong tapat, magkakaroon ng maayos na sistema ang mga institusyon na nakatugon sa partikular na sektor na kinabibilangan natin. Bibigyan pansin ang mga eksperto at may karanasan na nakapagpapaunlad ng atin industriya o sektor, mas mainam pa at ito ay nagmula mismo sa sektor na kinabibilangan. Hindi katulad ng iba na pinipili ang mamumuno sa isang institusyon sa pamamagitan ng padrino at kung sino ang tumulong sa pagluklok ng kandidato nuong nasa kampanya pa lang, kahit wala itong alam sa industriya basta malakas sa kanya.

Sa gobyernong tapat, dahil maayos na nga ang mga institusyon na nakatuon sa bawat sektor ng lipunan, maayos na din ang sistema tulad ng pagkuha ng mga dokumento o rekesitos na kailangan ng isang mamamayan. Mayroon transparency, kaya mawawalan ang katiwalian at mababawasan ang red tape. Hindi katulad ng iba na hindi pinapaalam sa mamamayan kung paano nabuo ang isang panukala, kung kaya’t may mga rekesitos sa pagkuha ng isang dokumento o regulasyon na minsan ay pinagkakakitaan na lamang at hindi naman talaga kailangan ng ordinaryong mamamayan.

Sa gobyernong tapat, iginagalang ang karapatan pantao, kaya’t magiging malaya ang mga tao sa paglikha ng kanilang mga gawang sining, partikular na ang mga musikero at mga nasa creatives na madalas napagkakamalang adik. Hindi katulad ng iba na ang solusyon sa problema sa droga ay patayin ang mga naging biktima nito, kasama na ang mga pinaghihinalaan lamang. At dahil walang accountability, nagiging negosyo na ang war on drugs para sa iilan. At ang malalaking isda ay malayang nakakapaghasik ng kanilang malagim na negosyo.

Sa gobyernong tapat, aayusin ang ating educational system sa pagkilala na ito ay nasa krisis. Ituturo ng maayos ang tamang kasaysayan ng bansa mula sa panahon ng kastila, ang Phil-American war, hanggang sa mga mapanupil na mga nagdaang gobyerno, upang matutuo tayong maging mapagmahal sa bansa, mapanuri at malakas ang konsensya. Hindi tulad ng iba na umabot pa sa puntong itinanggal na ang pagturo ng sariling wika sa mga eskwelahan, bukod sa pagturo ng mga kabaluktutan sa kasaysayan. Pinaniniwalaan ang mga kathang isip na ipinapakalat sa social media para lamang manaig ang sariling interes na hindi naman para sa iyo, kundi para sa kanila.

Sa gobyernong tapat, ay makikilala na ang kakayahang magpabago ng isang bansa para sa kaunlaran ay nasa kamay ng mga manggagawa at magsasaka at hindi sa mga banyagang negosyo na umaalipin sa atin. Ang gobyerno ang syang gagabay para bigyan ng Nationalist, Scientific at Mass oriented na edukasyon ang mga mamamayan, upang palakasin ng kapangyarihan ng mamamayan na tumayo sa sarili. Mas magiging maayos ang labor relations pati ang foriegn relations sa ganitong paraan. Hindi tulad ng iba na papanatilihing ang sistema kung saan nakikipagsapalaran sa ibang bansa ang ating mga pilipino, Kinakawawa ang atin mga magsasaka, At para bang walang plano para sa ikauunlad ng bansa.

Sa gobyernong tapat, magkakaroon ng tunay na kapayapaan. Kung ang mga batayang problema sa bansa na syang nagpapahirap sa mga Pilipino ay matutugunan at mabibigyan ng direksyon upang mabago, mawawalan ng dahilan ang mga nag aaklas upang kumontra sa pamahalaan ng armado pakikibaka. Mababatid nito na may patutunguhan ang isang gobyerno para sa ikauulad ng batayang masang Pilipino kaya’t magiging kaisa natin sila sa pagsulong ng isang magandang bukas. Hindi tulad ng iba na gustong ipagpatuloy ang patayan. At ire-red tag pa ang mga taong gusto maresolbahan ang kahirapan sa bansa na umasa sa tunay na kapayapaan.

Sa gobyernong tapat, meron kang pag-asang nakikita. Kaya mong gawin ang ambisyon mo. Maipagmamalaki mo ang sarili mo sa iyong mga kaanak at kaibigan na tayo lahat ang gumawa nito. Mapapakita sa buong mundo ang tunay na ugali ng Pilipino na matulungin sa kapwa, mapagmahal at matalino kaya’t may disiplina. Hindi tulad ng iba na puros puot at hinanakit ang laman ng puso. Kesyo dinaya daw, inaalipusta daw, kinakawawa daw. Pero kung titingnan mo, ikaw ang dinaya nila, ikaw ang inalipusta nila at ikaw ang kinawawa nila dahil nilinlang ka nila sa pamamagitan ng mga binayarang trolls na bumabandera sa iyong social media.

Sa gobyernong tapat, hindi lang ang buhay ko ang aangat. Pati ikaw dahil ikaw ay Pilipino.

How I met Ka Heber

Some of those discussions on music and arts with Ka Heber at the Indiepinoy office in Manila.

I first met heber in the early 90s when I went with a musician friend to visit him at his house which was then in New York st in cubao. It was also his gallery and his work area where we found him busy painting on the canvas. We discussed a few things, mostly on art, music and philosophical stuff which I am acustomed to after spending years under Ibarra dela Rosa’s class in college of Fine Arts in PWU where discussions on philosophical stuff goes on for hours.

I heard of Banyuhay ni Heber in college listening to a lot of pinoy rock. And when I got into an art organization who does stage design and visual art performances in concerts for a cause, I was able to watch the band perform several times. Notable was their performance in Quezon Memorial Circle where they had that powerful line up – brothers Heber, Levi and Jess along with drummer Flor Mendoza. I admired their songs as it was different from most pinoy rock ditties. Theirs was always about something social and political.

My visit to his pad in cubao became frequent. We later on discussed several issues about the music industry, this time in his office. At this point he was running a music label called Akasha Records and I thought I wanted to learn about how the industry works. Ka heber would then bring me to several meetings with people in the industry. Sometimes leaving me there on my own at Club Filipino, representing his company in front of CEOs and GMs of various record labels. He would also bring me to recording studios where I acted like a look out making sure that things are done right. I remember going to Abbey Road – not the studio in London, but the one in Makati. I also met a lot of his artists including one member of Mga Anak ng Tupa who made an album under his label.

My frequent stay on his office did not last long as he had to move to Banlat in Tandang Sora which was too far for my convinience. I would later on become busy with my band and we would seldom meet.

After several years, I found myself running a record label of some sort along with some muscian friends. I would later realize that it must have been Ka Heber’s ideas and our discussions which influenced me to formulate Indiepinoy, a record label for independent artists.

We would later meet again when Indiepinoy was expanding its network with organizations in the music industry and Ka Heber was organizing Malayang Ugnayan sa Industriya ng mga Komposer ng Awit or MUSIKA. We would get together to discuss issues on musicians rights and welfare. We would even go to congress and sit on a congressional hearings when musicians rights are involved. Our meetings were held either in my house in Sampaloc, Manila or in his place in Banlat, Tandang Sora. Most of our discussion now were more concrete than those we discussed before in New York st., Cubao. With the help of Skarlet we were picking up pieces of the puzzle to formulate a stronger guild that will represent the musicians and the composers. Ka Heber tried to convince me to join his group MUSIKA and give it a strong leadership but he knew I was already busy with Indiepinoy and understood my cause. So he did not really insisted as we can work together anyway. But I felt that he was building MUSIKA to be more than an organization, maybe a CMO of some sort or probably a guild. He had with him personalities in the pinoy rock scene along with a group of new breed songwriters and singers. I felt he wanted me to help him expand his group with the same extensive number of members Indiepinoy had at that time.

We did organize a few concerts including one held at the Rizal Auditorium’s Concert at the Park. This was to commemorate Bonifacio’s 150th birthday. A few more meetings were held here and there, including one organized by atty Rod Domingo, the lawyer who was able to win a class suit and recover millions for Marcos victims. This was attended by really influential personalities and the agenda was quite radical especially having in the attendance, people who had first hand experience of corruption and brutality in the music industry. Ka Heber showed me how the industry really looks like. The good and the bad.

This is how I met Ka Heber. We were both organizers and we both have visions of how the industry should work and to whom should it serve. Most people will see the genius of his songs. I see how he felt about the people who make such songs. He was ahead of me and he knows more than me. Even if I would deny it, deep inside me I know he was a big influence.

Later on I would hear several stories from different people about Ka Heber. Including that one story Emil Sanglay told me of how they had an argument with Ka Heber and he left him in the middle of the grassland. I am not the one to judge about those stories I heard. He is only human anyway.

But I will surely miss him.

Our blog update

I have decided to host my blog on my own website located at nolits.com. You can now visit this link and it contains all other information of me and my works. Although its still a work in progress as we are populating the contents especially the art and photo galleries and other literature stuff. I think this will take forever. So it would be wise to visit our site from time to time to see any updates. There are other parts of the site which I am still undecided, like on how to manage the Phoney Talks and how to post all the essays and literature I have created. Also on how I will showcase the comics section. These are a lot of things that will surely keep me busy.

As for the blogspot, I am retaining it as a mirror from the main site which is hosted on my own nolits.com. You can view new entries as what I post on my own blog will be reposted on blogspot automatically. (fingers crossed) You can leave comments but don’t expect me to answer soon as I will not be as active as I am on nolits.com.

That is for now. Catch you later.

I am back!!

I finally decided I am reviving this blog and will continue to input more entries from time to time. It has been over a decade since I last placed an entry. In fact I think it was still with multiply when I was active in this blog thing. After giving some thought, I decided to give it a go again.

So, I will be discussing things that come to my mind. I wont be too much of a political but you cannot avoid it as everything is political. I will put in some tutorial stuff, about music, about recording, technical stuff in electronics, arts, and anything under the sun. I will also be posting here artworks I have done over the years. Visual arts, music, and everything in between. I will try to make categories on this blog so it would be easy to follow especially if you have just got here late and there are tons of entries already.

I had plenty of blogs before. I think my first blog was written on BBS or the Bulletin Board System which I used to run in the 90s, where the internet was not yet the in thing and what we do is dial up modem to modem. Then I had my website which also contains a blog. There was also the basspage, the nolit.i.com and the nolitsite which is still running. I have a blog on my nolits studio page but I will only post what is happening on the studio in that page. I will not post music tutorials and other stories there. It will be here. I will not post family stuff, as I will be doing it on my facebook page.

I think you now have a general picture on what this blog will be all about. You will see articles, tutorials, discussions, and a gallery of my art. It is a variety of topics. So be prepared.

Let’s start rocking!!!!

I am looking for something 2

There are several tricks on how to look for music over the internet. Since I am not an expert in searching hard to find music (I leave it to the experts at h2f forum… specially to jane who’s searching skills still amaze me), but I know a little html and a little google tricks, I created a page for my use. But I want to share it with all of you so you can also utilize this tool.

The search page has several options. The main page will search on common sites where most music are located. I will be updating the tools once in a while. There are three other options which are the multiply music search, the blogspot search and torrent search. I am sure there are other ways to look for music. I am open for suggestions and comments.

Click this to go to the page.

Thanks to the staff of musicph for allowing me to use a subdomain off their hosting account thus assuring me of bandwidth availability. Thanks to people who taught me tricks on google custom search.

Looking for Randolf Fantone (leowai)

For all these years I have been searching for this person by the name of Randolf Fantone. He is also know as Leo (half of the Leowai duo).

Leo has left dozens of compositions, mostly potential hits in my demo pile. We used to record a lot of songs in my old 4-track studio before. We even have a project with delcy, a young singer whom we were supposed to produce an album. All songs for the project are still with me.

Leo is an accomplished songwriter with hits such as “nakangiti” sang by michelle samesa and one song by ric segreto. He had hits also with the band leowai, one which was included in the a dozen alternatives album and another in the christmas on the rocks album. He is also a folk singer doing gigs in the malate area playing acoustic or sometimes on a sequencer.

Last time I talked to leo was when he was going to palawan for a folk stint in a resort. I wasnt sure for how long the contract was. I have heared of the story that one time leo was so frustrated with how things are turning around his life that he went to the breakwater in luneta and smashed his Martin acoustic guitar which was a gift to him by a foriegn fan. I have asked his old partner Wai who now plays for carlo aquino’s band, and he never heared of leo for a long time. It seems they have some sort of an unresolve dispute.

If anyone knows him and his whereabouts, I would be happy to hear it. I know leo still knows the old studio where I used to live. I am back in the old shack and am here again living in the old place which he knows well. With such a prolific songwriter I am sure we can create lots of projects which we used to do before.

The Party was GRAND!

After several weeks of preparations, my son’s 5th birthday party (along with my wife’s bday celebration) was a hit. The idea was to hold a party that will be better than those parties at foodchains yet spending less.

Holding the party at home was the main idea. This way you have your time, you’re on your own turf and you know the neighborhood. But still you are in a community so you have to abide by the rules. So, asking permission from the barangay officials for a loud band to play on my garage was granted up to 10:30pm. We could actually extend only if the neighbors wouldn’t mind the noise. I figured since all the visitors would be professional musicians, it wont be noise coming out from us. And the neighboors might even enjoy free concerts from a rare collection of jammers. The garage (three car slots) was the perfect choice so as to accomodate the volume of people. Anyone from the outside can watch the show through the gate. But I still have to assign Mang Titing to serve as the bouncer watching over outside.

So, I borrowed the studio set from our drummer. It came complete with a Fender Passport PA system, a drum set, one boston engineering bass amp and one Roland guitar amp. My cousin lended us his bostin engineering guitar amp. I set up my own gear of amps and speakers for the keyboard. But the keyboard did not arrive even tho the keyboard stand was ready. So it was the good old rock and roll.

The kids have their own program of activities. Party started with the usual kainan with my relatives. Then one by one the guests came in. Before it was getting dark, a pabitin was held for the kids. The games had to be cancelled as there were only a few kids in the afternoon (most kids came in late). Next was the performances. First up was my son Angelo who did a rocking rendition of Crazy Car. Then it was followed by my daughter Lala who also sang two songs before doing a dance number where angelo joined in. My nephew sam did his own version of crazy car. Lala did most of the performances for a total of 5 numbers. A captive audience of over 30 people enjoyed it. After the performance, the kids went inside the house to watch Hanna Montana 3d concert on Disney channel. Hanna Montana 3d glasses which we got from the mall was distributed to all the kids and the kids at heart who were all eager to watch the show.

Then it was time for the band to play. So the drums and the guitars are set up. First on was a collection of musicians. My old highschool classmate has a brother ‘remugs’ who used to be the front man of a cebu based band “Happy Days” back in the 90s. He brought his own guitar gear. My cousin beer also brought his own guitar (a black telecaster which used to be owned by one of the porkchop duo – used on a lot of their performance). Buboy from the band sining who is now a webmaster took the drum chores. Bong who used to play bass for wired and now plays for enmasse did the bass. And so this collection of musicians did a first set with whatever songs they collectively know. Mostly new wave and early 90s stuff.

Up next was renditions of original compositions. Kuyakurt (from Blue Martian Cookies) did a few of his original songs including the infamous Spaghetti. Sam our keyboardist forgot to bring his keyboard and so he playedthe bass instead. Mon (our drummer for k and the boxers and magpie)who arrived late took over the drums, and so Buboy could play the guitar. Buboy did his original song Split which was stolen by Grin Department. Then after tatay paeng (my father in law) sang a few old songs including ‘unchained melody’ where my son angelo did the drums with the help of Sam.

By special request, Mang Kaloy Rufo was called on stage to do several guitar instrumentals. He was accompanied by SPI front man Rey Cantong who played drums. Rey was the first batch drummer of gladys and the boxers before forming his own band Six Part Invention. Mang Kaloy, father of Jack Rufo of Neocolours, was also the guitarist of the 3rd batch of gladys and the boxers. I did the bass this time. Mang kaloy played moon river, and some beatles medley.

Next on stage were Magpie singer Wayne Perez who sang a few cover songs and Kearney (who came in with mon) a band manager/booker sang a few numbers also. There were more from the audience who failed or refused to perform. Sigfried (Bakulaw), an accomplished film director who used to write for Rock and Rhtyhm came in along with his family. Rey of SPI came in along with his co-singer Kaye. My wife angela wanted to sing also but was too busy with the preparations.There were two more visitors of tatay paeng who was a drummer and a bassist wasnt able to perform.

Ok so let me mention a few people from the audience. Luna veteran Conan. My highschool classmates Dandy Wong (a nurse from USA who is on vacation) and his wife. highschool classmate Engineer Orly Entero, and his cousin and brother (who performed). Sigfried Sanchez and his wife and three kids. The Relatives: Tita Chu and Tito Emcee, Tita Itos, Cecil, cedes, trixie, arlyn, issa, manolo, yvette, derik, beer, nina, sam, baby gab and baby john.

Big thanks to the people who helped out in making the party grand. Edwin, mang titing, noel, CT, bespren and waki.

My son angelo enjoyed the day with a lot of playmates and would like to thanks you all for all his gifts. He enjoys them a lot. I will be posting a lot more pictures on manuelangelo’s blog.

Till next event…

Preparations for the Party

“> The keyboard will have the biggest speaker in the “stage”. I made a speaker set for my old “raon” bass amp with two 15″ daichi pro instrumental speakers. The cabinet hieght I think is 4 feet. Since I broke my old “raon” bass amp head. we will be using a modified component for the keyboard instead.

I have two guitars to use, a red fender/squier blues strat which I borrowed from our drummer, and my old RJ custom made guitar from all original parts taken off several damaged original guitars from the RJ repair shop. The neck is a samick which the guy at RJ custom built a matching body. All the hardware are all parts. And one pick-up is an old beaten up seymour single coil (neck). The bridge pick up is a SKC humbucker – the cheap alternative wonder.

I will not be using any of my recording gear. Not even my old multitracker which I use as a 12/4 mixer. Everything will be live as it is a simple jamming. The mix will be made by whoever is holding whatever instrument. It will be the old mayrics style. Crank up your amp so the people at the back can hear you. Or in other’s point of view, crank down your guitarist or bassist amp so the people at the back can hear your voice. Its the old mano-mano way.

I have a lot of musician friends who will be coming. Some people I havent communicated with for quite some time now. A lot of them have made it big in the music industry. Others made it on other fields. It would be exciting to hear what jamming we could make as our music, ears and skills have matured . . . not to mention the tastes and preferences in music.

Hope the afternoon party and the night will rock…. despite the bagyo. Hopefully, no brownouts please.